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・ Ralph C. Tyre
・ Ralph Cahoon
・ Ralph Cairns
・ Ralph Caldwell
・ Ralph Callachan
・ Ralph Calland
・ Ralph Camargo
・ Ralph Campbell
・ Ralph Campbell (disambiguation)
・ Ralph Campney
・ Ralph Camroux Morris
・ Ralph Canine
・ Ralph Caplan
・ Ralph Barton (disambiguation)
・ Ralph Barton Perry
Ralph Bass
・ Ralph Basset
・ Ralph Basset (died 1265)
・ Ralph Basset (died 1282)
・ Ralph Basset (disambiguation)
・ Ralph Basset, 1st Lord Basset of Drayton
・ Ralph Bates
・ Ralph Bates (writer)
・ Ralph Bates Pancreatic Cancer Research Fund
・ Ralph Bathurst
・ Ralph Battell
・ Ralph Baum
・ Ralph Baze
・ Ralph Bean
・ Ralph Bean (footballer)


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Ralph Bass : ウィキペディア英語版
Ralph Bass

Ralph Bass (1 May 1911 – 5 March 1997), born Ralph Basso, Jr.,〔 was an American rhythm and blues record producer and talent scout for several independent labels. He was a pioneer in bringing black music into the American mainstream. During his career he worked in key roles for Black & White Records, Savoy Records, King Records, Federal Records, and Chess Records, recording some of the greatest performers in black music, including Etta James, Sam Cooke, James Brown, Earl Bostic, and groups such as The Platters and The Dominoes. Bass was inducted into the Rock and Roll Hall of Fame in 1991 as a non-performer.〔
== Career ==
Bass was born in The Bronx to an Italian-American-Catholic father, and a German-American-Jewish mother, As a young man, he visited the South and personally experienced the emotional power of black music in dance clubs. When he began his career as a record producer, segregation was in full effect and black performers were marginalized and relegated to one-night stands performing only to all-black audiences in a network of theatres and nightclubs known the Chitlin' Circuit. Bass decided to focus his career on bringing black music and black performers into the entertainment mainstream.〔
Bass got his start in the 1940S as an A&R man at Black and White Records. At Black and White, he produced and recorded, among others, Lena Horne, Roosevelt Sykes, Jack McVea (suggesting he record the huge hit "Open the Door, Richard") and T-Bone Walker, including T-Bone's landmark "Call It Stormy Monday." From there he went on to help build two of the most successful independent labels, Savoy Records of New Jersey and King Records of Cincinnati, Ohio.〔 During this period, Bass toured the South with various blues bands, noted the large size of the audiences still predominantly black with but with an increasing numbers of whites. He sensed that the audience was changing.〔
At Savoy Records from 1948 to 1951, he recorded Brownie McGhee and Johnny Otis. At Federal Records, a subsidiary of King run by Bass, he turned out a series of R&B hits, including The Dominoes' "Sixty Minute Man," "Have Mercy Baby," and Hank Ballard's "Work With Me, Annie." When Syd Nathan at King Records at first refused to sign James Brown to record "Please, Please, Please" because he thought the demo was a piece of trash (later changing his mind) Bass signed Brown to Federal and produced "Please, Please, Please", the first Federal single, which was a regional hit and eventually sold a million copies.〔Kansas City" recorded by Little Willie Littlefield.
In 1959, the Chess brothers hired Bass away from King Records in Cincinnati to serve as A&R Director at Chess Records.〔 He was there until 1976, working with blues, gospel, R&B, and rock and roll artists, including Clara Ward, the Soul Stirrers, Etta James, Howlin' Wolf, Muddy Waters, and Sonny Boy Williamson. He would compose the music for Pigmeat Markham's hit novelty single "Here Comes the Judge."〔 Later, for MCA Records he produced John Lee Hooker.〔

Image:PleasePleasePlease.jpg|"Please, Please, Please," James Brown, Federal Records
Image:T-Bone Walker - Call It Stormy Monday.jpg|"Stormy Monday," T-Bone Walker, Black & White Records
Image:Chess Records Studio.jpg|Chess Records Studio, Chicago


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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